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Dire Straits Brothers In Arms Rar4/28/2021
Brothers in Arms charted at number one worldwide, spending 10 weeks at number one on the UK Albums Chart (between 18 January and 22 March 1986), nine weeks at number one on the Billboard 200 in the United States, and 34 weeks at number one on the Australian Album Chart.The album is the eighth-best-selling album in UK chart history, is certified nine-times platinum in the United States, and is one of the worlds best-selling albums, having sold over 30 million copies worldwide.London) Copyright Mercury Records Ltd.
London) Made By Universal M L, UK Published By Chariscourt Ltd. Recorded At AIR Studios, Montserrat Mixed At Power Station Mastered At Masterdisk Remastered At Gateway Mastering Credits Bass John Illsley Design Andrew Prewett, Sutton Cooper Drums Omar Hakim, Terry Williams (3) Engineer Neil Dorfsman Engineer Assistant Bruce Lampcov, David Greenberg, Steve Jackson (3) Guitar Mark Knopfler Keyboards Alan Clark, Guy Fletcher Liner Notes Robert Sandall Mastered By, Remastered By Bob Ludwig Painting Thomas Steyer Photography By Deborah Feingold Producer Mark Knopfler, Neil Dorfsman Vocals Guy Fletcher, John Illsley, Mark Knopfler Written-By Mark Knopfler Notes Recorded at Air Studios, Montserrat, West Indies. Mastered at Masterdisk, New York Remastered at Gateway Mastering SBM Logo Super Bit Mapping on inlay. Sting appears courtesy of AM Records. Dire Straits Brothers In Arms Rar Code And OtherSome copies have a blue hype sticker on the front, with white writing: DIRE STRAITS REMASTERED - Newly remastered: Contains specially-written sleeve notes - 824 499-2 Different releases from different manufacturers of this BIEM MCPS release: Brothers In Arms: Made in France by PMDC (Matrix) Brothers In Arms: PMDC FRANCE (Matrix) Brothers In Arms: Made in Germany by EDC (Matrix) Brothers In Arms: MADE IN UK BY PMDC (Matrix) Brothers In Arms: Made in the UK by Universal M L (This release) Brothers In Arms: Similar to EDC, Germany release, but different matrix number Barcode and Other Identifiers Barcode (Text): 0 42282 44992 4 Barcode (String): 042282449924 Rights Society: BIEM MCPS Label Code: LC 1633 Price Code: PY 899 SPARS CODE: DDD Other (Etched in CDs inner ring): MADE IN THE UK BY UNIVERSAL ML Matrix Runout (Variant 1): 8244992 03 5 Mastering SID Code (Variant 1): IFPI L135 Mould SID Code (Variant 1): IFPI 04B3 Matrix Runout (Variant 2): 8244992 04 5 Mastering SID Code (Variant 2): IFPI L135 Mould SID Code (Variant 2): IFPI 04F9 Matrix Runout (Variant 3): 8244992 03 5 Mastering SID Code (Variant 3): IFPI L135 Mould SID Code (Variant 3): IFPI 04H2 Matrix Runout (Variant 4): 8244992 03 5 Mastering SID Code (Variant 4): IFPI L135 Mould SID Code (Variant 4): IFPI 04D1 Matrix Runout (Variant 5): 8244992 03 5 Mastering SID Code (Variant 5): IFPI L135 Mould SID Code (Variant 5): IFPI 04E2 Matrix Runout (Variant 6): 8244992 03 5 Mastering SID Code (Variant 6): IFPI L135 Mould SID Code (Variant 6): IFPI 04B6 Matrix Runout (Variant 7): 8244992 03 5 Mastering SID Code (Variant 7): IFPI L135 Mould SID Code (Variant 7): IFPI 04A4 Matrix Runout (Variant 8): 8244992 03 5 Mastering SID Code (Variant 8): IFPI L135 Mould SID Code (Variant 8): IFPI 04E4 Matrix Runout (Variant 9): 8244992 03 5 Mastering SID Code (Variant 9): IFPI L135 Mould SID Code (Variant 9): IFPI 04F1 Matrix Runout (Variant 10): 8244992 03 5 Mastering SID Code (Variant 10): IFPI L135 Mould SID Code (Variant 10): IFPI 04A9 Matrix Runout (Variant 11): 8244992 03 5 Mastering SID Code (Variant 11): IFPI L135 Mould SID Code (Variant 11): IFPI 04F9 Matrix Runout (Variant 12): 8244992 03 5 Mastering SID Code (Variant 12): IFPI L135 Mould SID Code (Variant 12): IFPI 04F0 Matrix Runout (Variant 13): 8244992 02 6 Mastering SID Code (Variant 13): IFPI L136 Mould SID Code (Variant 13): IFPI 0402 Matrix Runout (Variant 14): 8244992 02 6 Mastering SID Code (Variant 14): IFPI L136 Mould SID Code (Variant 14): IFPI 04A8 Matrix Runout (Variant 15): 8244992 02 6 Mastering SID Code (Variant 15): IFPI L136 Mould SID Code (Variant 15): IFPI 04C4 Other Versions Spinner Recommendations Spinner Reviews Spinner Close Ad Keyboard Shortcuts Close Navigation Actions About Discogs Chevron Down About Us Blog App Careers API Change Log Help Is Here Chevron Down Help Support Forum Keyboard Shortcuts Database Guidelines Discogs Shipping Join In Chevron Down Get Started Contribute Add Release Contributor List Help Translate Discogs Events Advertise With Us Follow Us Facebook Square Facebook Twitter Twitter Youtube Youtube Instagram Instagram Mixcloud Mixcloud Soundcloud Soundcloud Pinterest Pinterest 2020 Discogs Manage Preferences Cookie Policy Terms of Service Privacy Policy California Privacy Notice Globe Deutsch English Espaol Franais Italiano Portugus (Brasil) Русский Caret Down. It was also released on vinyl (abridged to fit on one LP) and cassette. Records in the US. It spent a total of 14 non-consecutive weeks at number one on the UK Albums Chart (including 10 consecutive weeks between 18 January and 22 March 1986), nine weeks at number one on the Billboard 200 in the US and 34 weeks at number one on the Australian Albums Chart. Brothers in Arms was the first album certified 10-times platinum in the UK 1 and is the eighth-best-selling album in UK chart history. It is certified nine-times platinum in the US, and is one of the worlds best-selling albums, having sold more than 30 million copies worldwide. The decision to move to digital recording came from Knopflers constant striving for better sound quality. One of the things that I totally respected about him, Dorfsman observed, was his interest in technology as a means of improving his music. He was always willing to spend on high-quality equipment. The studio lineup included Knopfler (guitar), John Illsley (bass), Alan Clark (piano and Hammond B-3 organ ) and Guy Fletcher, who was new to the band, playing a synth rig that consisted of a huge new Yamaha DX1, a couple of Roland keyboards and a Synclavier. The studio itself was small, with a 20-by-25-foot (6 m 8 m) recording space that offered virtually no isolation. It was a good-sounding studio, Dorfsman later recalled, but the main room itself was nothing to write home about. The sound of that studio was the desk, referring to the Neve 8078 board. The Hammond B3 was placed nearby, with its Leslie speaker crammed into an airlock next to the control room. Illsleys bass amplifier was recorded inside a small vocal booth with a Neumann FET 47 and a DI unit. Knopflers amplifiers were miked with 57s, 451s, and Neumann U67s. Knopfler was using his Gibson Les Paul going through a Laney amplifier. While setting up the guitar amplifier microphones in an effort to get the ZZ Top sound that Knopfler sought, guitar tech Ron Eve, who was in the control room, heard the amazing sound before Dorfsman was finished arranging the mics. One mic was pointing down at the floor, Dorfsman remembered, another was not quite on the speaker, another was somewhere else, and it wasnt how I would want to set things upit was probably just left from the night before, when Id been preparing things for the next day and had not really finished the setup. What they heard was exactly what ended up on the record; no additional processing or effects were used during the mix. Williams was temporarily replaced by jazz session drummer Omar Hakim, who re-recorded the albums drum parts during a two-day stay before leaving for other commitments. Both Hakim and Williams are credited on the album, 12 although Williams only contribution was the improvised crescendo at the beginning of Money for Nothing and Walk of Life. Andy Kanavan was briefly with the band as a drummer. Williams rejoined for the music videos and the promotional concert world tour. Ride Across the River uses immersive Latin American imagery, accompanied by synthesized pan flute, mariachi trumpet, a reggae-influenced drum part and eerie background noises. The Mans Too Strong depicts the character of an ancient soldier (or war criminal) and his fear of showing feelings as a weakness. Written during the 1982 Falklands War, Brothers in Arms deals with the senselessness of war. In 2007, the 25th anniversary of the war, Knopfler recorded a new version of the song at Abbey Road Studios to raise funds for British veterans who he said are still suffering from the effects of that conflict. The Style O line of guitars was introduced in 1930 and discontinued in 1941. The photographer was Deborah Feingold. The back cover features a painting of the same guitar, by German artist Thomas Steyer. A similar image was also used, with a similar color scheme, for the 1989 album The Booze Brothers by Brewers Droop.
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